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The oligarchs behind the “humanitarian” regime change network now exploiting Jo Cox’s death to push for UK Labour split

Only by masking their otherwise unpopular policies in the cloak of Jo Cox’s tragedy, and humanity’s natural empathy for good samaritans and the downtrodden, has this small group of powerful individuals been able to launder disastrous wars and military adventurism as “the right thing to do.”

by Vanessa Beeley and Whitney Webb

Part 4 - Skoll Foundation and Forum

When we start to look more closely at the “storytelling” partners of the Skoll Foundation, we draw even closer to the White Helmet PR industry. Skoll partners with the Sundance Institute, the BBC, NPR and Doc Society–Flex Fund, among others.

The Sundance Institute, the BBC and Doc Society are central to the production and promotion of the White Helmet movie campaigns, including the Netflix White Helmet documentary that won the Oscar in 2016 and then Last Men in Aleppo that was nominated for the Oscar in 2017.

These organizations are literally the architects of “humanitarian war” and the White Helmets are their centerpiece, the ultimate “story” that, if told well, will draw Western nations deeper into the quagmire of a failed regime-change war in Syria.

As Vanessa Beeley wrote in Architects of Humanitarian War: “I believe it’s safe to conclude that there is a vast, well-financed PR machine operating behind the scenes of the White Helmet organisation, whitewashing their discredited image and mapping out their political, media and Hollywood trajectory – in lock-step with the PR campaign is a media defence force headed up by Channel 4, The BBC and The Guardian. The hub of the film and PR sector is Doc Society.”

Listed among the Skoll Foundation “awardees” are Crisis Action and Global Witness — again linking to the White Helmet PR apparatus. Crisis Action brings together Brendan Cox, Gemma Mortensen and Tim Dixon of the Jo Cox Four. Crisis Action’s role in the White Helmet marketing complex was explored in detail in Part 2 of this series. Global Witness connects back to Mabel Van Oranje, who is on the advisory board with Alexander Soros.

The annual Skoll World Forum on Social Entrepreneurship is organized by the Skoll Foundation in partnership with the Said Foundation, or more precisely the Said Business School. The Forum convenes 800 social entrepreneurs, influencers, policy makers, philanthropists and students to “learn, problem solve and build community.” The Said Foundation is “partnered” by Ayman Asfari, previously mentioned in connection with the White Helmet marketing team, headed up by the Syria Campaign.

The Skoll World Forum (SWF) was established in 2004. One of the sessions in the 2018 Forum was on “The Art of Co-creation: a Storytelling Model for Impact and Engagement.” As we have mentioned previously, almost the entire White Helmet PR team and White Helmet leadership have been listed as contributors to the SWF. These include James Le Mesurier, former British MI6 agent who established the White Helmets in Turkey and Jordan while employed by ARK Group; Raed Saleh, former mobile-phone salesman, now leader of the White Helmets; Tim Dixon MD, of Purpose; Farouq Habib, project manager at Mayday Rescue; and Brendan Cox, Mabel Van Oranje, Gemma Mortensen, and Nick Grono. CEO and president of the UN Foundation Kathy Calvin is also a contributor alongside the White Helmet team, and her role in promoting the billionaire-supported “humanitarian” group is further investigated later in this article.

In 2017, the SWF brought together Brendan Cox, Tim Dixon and Gemma Mortensen in a session entitled “Mobilizing a Movement: More in Common,” which focused on the Jo Cox-inspired movement to enable more “inclusive societies that look past our differences and embrace our common humanity.”

During this talk Dixon alludes to the iconic image of Alan Kurdi washed up on a beach in Turkey, which launched the refugee “crisis” in September 2015. The timing of this campaign, so rapidly adopted by the Jo Cox four and their associated PR agencies and billionaire network, was curiously in lock-step with the timing of the Russian intervention in Syria at the behest of the elected Syrian government.

During the televised talk, Dixon describes the image of Kurdi’s body as “a defining moment for the More in Common impetus.” Dixon’s cynical exploitation of Kurdi’s death to promote the causes of the Jo Cox Four, including the White Helmets, was exposed by a statement given by Kurdi’s aunt, Tima Kurdi, in February 2017, in Canada: “Regime-change policy has destroyed my country and forced my people to flee. [U.S. Congresswoman] Tulsi [Gabbard]’s message was exactly what I have been trying to say for years, but no one wants to listen. [..] If the West keeps funding the rebels, we will see more people flee, more bloodshed, and more suffering. My people have suffered for at least six years.”

Tima Kurdi established very quickly that the furor over the refugee crisis, generated by the shocking images of her drowned nephew, was nothing more than a marketing campaign designed to facilitate a reaction and military push-back against the Russian intervention that threatened to derail the U.S. Coalition plans to topple the Syrian government.

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